I met Piet Jacobs in November 2017, during the Dutch ‘art of the book’ fair (Boekkunstbeurs) in Leiden. He was in one of the stands, selling a compelling selection of fine Dutch type specimens and booklets. I noticed among them A tot Z, the rare autobiography of Paul H. Rädisch, the famous punchcutter of Jan van Krimpen’s typefaces. After a brief conversation, I purchased the book—a fine green clothbound volume.
It was only when had I arrived home and had time to begin r … > Read article
Five months after the release of Guyot Headline, Retype proudly introduces Guyot Text, a new installment of the type family inspired by the work of the sixteenth-century punchcutter François Guyot.
Ramiro Espinoza first got acquainted with Guyot’s work in 2016, while attending the Expert Class in Type Design at Antwerp’s Plantin Institute of Typography. His Guyot is not a strict revival, but rather a contemporary type family that combines the charm of classic French-Flemish … > Read article
On Thursday, June 22 at 18.30, Ramiro Espinoza will talk about his time at the Plantin Institute of Typography and his research on the types of lesser known punch cutters such as Joost Lambrecht and François Guyot. Reviving Guyot’s types as part of this experience led him to begin learning the art of punch cutting itself.
Letter Exchange Amsterdam’s 8th talk is hosted by:
Café de Bieb
Saenredamstraat 32, Amsterdam
Letter Exchange is a society founded in London in 1988 … > Read article
Guyot Headline is the first of two type families inspired by the work of the punchcutter François Guyot, who lived and worked in Antwerp during the sixteenth century.
Ramiro Espinoza got acquainted with the work of Guyot in 2016, while attending the Expert class Type design (EcTd) at Antwerp’s Plantin Institute of Typography. Researching French and Flemish punchcutters with the prospect of creating a revival, Espinoza soon realized that the work of the most important masters o … > Read article
In November 2016, Singapore Airlines opened an pop-up Gallery at Hobbemastraat 3 in Amsterdam. Agency Hammerfest.co designed a campaign to promote the occasion. They chose our Krul as the main typeface in their work.
The campaign’s logo was later hand painted on Singapore Airlines gallery’s windows by Miranda Ensink, a member of the Amsterdam Signpainters group.
… > Read article
2016 brought us many opportunities to team up with the Amsterdam Signpainters crew and recreate Amsterdam’s traditional traditional curly script known as Krulletter.
Our work helped to launch Proeflokaal ’t Kelkje, a liquor store founded early last year on the Oudezijds Achterburgwal in Amsterdam. The company’s owner was interested in a logo with a typical old Amsterdam look so we designed some lettering which was skillfully hand painted by Jasper Andries on the store windo … > Read article
ReType Foundry proudly introduces Brinkhuis. This typeface is a liberal interpretation of the Art-Deco lettering found on several facades of the famous avant-garde Betondorp neighborhood located in Watergraafsmeer, Amsterdam. The original letters were probably designed by the Dutch architect Dick Greiner.
Paula Mastrangelo fixed many inconsistencies in the original model, completely redefined several letters, added punctuation marks, and turned a simple alphabet into a striking t … > Read article
On Amsterdam’s west side is De Gouden Hoek, a chic fish & chips restaurant. Seton Beggs and Jochem Ruijgrok of local design agency Studio Bar were charged with designing a new graphic identity for the space. Determined to contribute to the city’s noble sign painting tradition, they designed a window sign in the distinctive local style. Studio Bar consulted with Ramiro Espinoza to ensure authenticity, making the final sign as beautiful and true to the krulletter originals … > Read article
In 2014 we presented Paula Mastrangelo’s first type family, Laski Slab. Over the last year, Ramiro Espinoza worked to expand the system and today we are proudly introducing Laski Sans, a refined humanistic sans addressing many of today’s design requirements, and specifically optimized for editorial and corporate use.
Laski Sans is a family of 20 fonts with weights finely balanced so that they can be easily combined in a wide range of environments. Its open forms and solid str … > Read article
