Patterning in historical and digital type

27 September, 2016  |   No comments

In the context of Frank Blokland’s PhD research at Leiden University on the origin of patterning in movable type, the Meermanno Museum will host on 10 of October a serie of short lectures by Frank Blokland, Lukas Schneider and Ramiro Espinoza.

Introducing Brinkhuis

22 September, 2016  |   No comments

ReType Foundry proudly introduces Brinkhuis. This typeface is a liberal interpretation of the Art-Deco lettering found on several facades of the famous avant-garde Betondorp neighborhood located in Watergraafsmeer, Amsterdam. The original letters were probably designed by the Dutch architect Dick Greiner.
Paula Mastrangelo fixed many inconsistencies in the original model, completely redefined several letters, added punctuation marks, and turned … > Read article

New Krulletters for De Gouden Hoek

18 March, 2016  |   No comments

On Amsterdam’s west side is De Gouden Hoek, a chic fish & chips restaurant. Seton Beggs and Jochem Ruijgrok of local design agency Studio Bar were charged with designing a new graphic identity for the space. Determined to contribute to the city’s noble sign painting tradition, they designed a window sign in the distinctive local style. Studio Bar … > Read article

A new family from Retype Foundry: Laski Sans

7 March, 2016  |   No comments

In 2014 we presented Paula Mastrangelo’s first type family, Laski Slab. Over the last year, Ramiro Espinoza worked to expand the system and today we are proudly introducing Laski Sans, a refined humanistic sans addressing many of today’s design requirements, and specifically optimized for editorial and corporate use.
Laski Sans is a family of 20 fonts with weights … > Read article

Monocle magazine features Amsterdam’s krulletters

21 January, 2016  |   No comments

In the second number of 2016, Monocle magazine has published a well informed article telling the story of the Amsterdamse Krulletter’s origins and our efforts for preserving and reviving the tradition. Thanks a lot to Marie-Sophie Schwarzer and ‪Monocle’s team for bringing attention to this topic. Thanks also a lot to Studio Bar and Jasper Andries from > Read article

The krulletters at Design Bridge Amsterdam

29 November, 2015  |   No comments

Few months ago the identity agency Design Bridge Amsterdam contacted us for an assignment. Their office was recently renovated and – in accordance with their appreciation for local crafts and traditions – they wanted to recreate Amsterdam’s curly letter in a series of words to be painted on the doors of their meeting rooms.
Design Bridge Amsterdam’s building was once … > Read article

This Little World

29 November, 2015  |   No comments

Becky Chilcott from Chil3 has amused us again with a beautifully designed book by author and journalist Susan Maushart. This Little World is Perth’s Presbyterian Ladies’ College (PLC) centenary book. Although it has a fairly formal structure in terms of its 11 chapters, every page engages the viewer with different standout images, stories and factoids. The spirit of … > Read article

Simone Massoni and his sexy fonts

29 November, 2015  |   No comments

Simone Massoni is an Italian illustrator with a deep appreciation for typography. He runs the website where he likes to pay homage to some of his favorite fonts. In past months well known typefaces like Meta, Archer and Matrix – among others, have been interpreted pairing each font with the illustration of a sensual woman that – … > Read article

At the bar with Design Bridge

16 November, 2015  |   No comments

Few days ago Ramiro was invited by Design Bridge Amsterdam to talk about his research on the curly script of Amsterdam and how vernacular letters can be used in contemporary identity systems. Many thanks to Zayne Dagher, Marguerite Rubens and the rest of the Design Bridge team for a wonderful evening.
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Krulletter workshop at Amsterdam Signpainters

3 November, 2015  |   No comments

Ramiro Espinoza has recently delivered a workshop on sketching ‪Krulletters‬ at Amsterdam Signpainters’s headquarter. Drawing letters is hard work but at the end of the day, all sketches looked much more refined. We hope the AS team enjoyed it and that soon they will be able to draw and paint krulletters as good as the ones produced by Visser … > Read article